Ann Demeulemeester black short skirt with slight high-low hem — 1990’s
$ 99.05
Description Similar items Ann Demeulemeester oeuvre book in box by Rizzoli — 2014 €499.00 Add to cart Ann Demeulemeester black silk wrapped jacket with striped print — spring 2011 €429.00 Add to cart Ann Demeulemeester black high heeled sandals with corset lacing (37) — spring 2009 re-edition €549.00 Add to cart Ann Demeulemeester black classic wool blazer with pleated silk panels on the lapels €399.00 Add to cart Sold Maison Martin Margiela black inside out maxi skirt with frayed waistband and outer loops — spring 2005 €289.00 Read more A.F. Vandevorst black mini skirt with silver pattern and frayed waistband — spring 2016 €199.00 Add to cart A.F. Vandevorst blue and beige geometric skirt hand-painted by Katrien Wuyts — spring 2011 €649.00 Add to cart A.F. Vandevorst upside down brown tartan mini skirt with black side stripes — fall 2017 €219.00 Add to cart About Ann Demeulemeester Ann Demeulemeester is a Belgian designer, graduating from the Royal Academy of fine arts in Antwerp. In 1986, Ann Demeulemeester went to London during fashion week to showcase her collection together with fellow graduates Walter van Beirendonck, Dries Van Noten, Dirk Van Saene, Dirk Bikkembergs and Marina Yee. From this point on, they would be known as the iconic ‘Antwerp Six’. Ann Demeulemeester is known for her love of black. Her style draws influence from goth, punk, bohemian and Japanese subcultures. Her collections are often described as dark, funerary, yet poetic and very emotional. In 2000 for example, she designed a collection from a sheer materials, embroidered with quote’s from Patti Smith’s ‘Woolgathering’. Typical Ann Demeulemeester silhouettes are very elongated, decorated with feathers, chains. She is also known for her iconic heavy boots, her triple lace boots and the lace-up gladiator sandals being street style photographers’ favorites. She left her brand in 2013, meaning that only vintage Ann Demeulemeester clothing is still designed by her.
